So the Copeland show is over. What’s funny is that Dan Wolfe and I knew we were going to end up working at it somehow in some way. Copeland was amazing. They’re all nice guys and put on a great show. Their sound guy was something else though. Let’s go through Dan Strickland’s and my experience with him.
First. we meet this guy and he starts asking what we have and didn’t have. He gave us dirty looks when we told him we only had 4 insertable compressors. Then he wasn’t happy that we were sharing drum mic channels. I showed him the board and his face was kind of like “What am I going to do with this?” Then.. it was time for Copeland to sound check.
For one. their stage volume was a little too loud for the Blackroom. Then he starts turning things up and tweaking channels before he heard what they sound like. After drums were up. they were pretty much ripping the cones out of the subs. So. he had no respect for our system whatsoever. He didn’t ask us if it was too loud or antyhing. He was sending stuff to compressors and mains at the same time separately… which is OK. but he didn’t know he was doing it. And. he boosted 50 Hz on the reverb return about 5 dB… which was pretty pointless and just muddied everything up. At one point. he didn’t think he was getting bass. and he on the wrong channel. on the clearly marked console. Oh. and Wolfe had a really great disgusted look on his face while this guy was trying to sound check. It was great.
I didn’t get to hear house. but Strickland told me his mix wasn’t too bad but he just didn’t know how to really make it better. He just fiddled with things. Wolfe had turned the masters down to start with… And Strickland said he turned them down more at points. I wonder if this guy even noticed that.
All of this makes me feel good that I learned something here. Four years paid off. So has working for BEL. I’m also glad I don’t claim to know everything… but I know what I don’t know. Anyways…
Solafide was amazing last night too… In fact.. I’m willing to bed they sounded better than Copeland. I know they did from the stage. Nice work Dan.
All in all it was a great show. but crazy stressful. It was nice doing monitors for once. I just wish I could’ve done real monitor mixing and not just turning things on… Sucks not to have an engineer wedge.
And now that the hype and excitement of Copeland coming to the middle of nowhere is all over… time to start on my Portfolio. I’m hungry.